An Outline Of An Assignment - 1966 Words

Part 1 Patient †¢ Mr Timothy Jones †¢ 38 years old Presenting Complaint Essential Hypertension. Blood pressure control lost on current therapy Type of Prescribing This is an episode of Supplementary Prescribing. It is defined as, ‘A voluntary partnership between a doctor or dentist and a supplementary prescriber to implement an agreed patient specific clinical management plan (CMP) with the patients’ agreement’. (DOH, 2007) Mr Jones benefits from Supplementary Prescribing as it ensures timely access for review of his condition along with treatment modification and subsequent monitoring with the reassurance that a GP retains the overview of his care. The Consultation Model I applied Neighbours Model, The Inner Consultation (Neighbour, R, 1987). This identifies a pathway which hones consultation skills by goal setting, skill building and finally pulling everything together. The model contains five intuitive stages. See Appendix 1. The use of a model helps me to ensure consistent and effective consultations with reproducibility which optimises outcomes for Mr Jones. They are useful as a framework from which clinicians develop their own style (Moulton Neighbour, 2007) Connecting History of Presenting Complaint Mr Jones requires regular review and management of his Essential Hypertension which was first diagnosed 5 years ago. He has been well maintained on lower than recommendation (NICE, 2011) dose of angiotensin converting enzyme inhibitor Lisinopril dihydrate. He has noShow MoreRelatedMedia Assignment Outline1045 Words   |  5 PagesFacebook ads 1QM18 - Graphic tag: Experience matters Headline: Find the right doctor Newsfeed: Our Round Rock obgyns have years of experience, are highly trained, and have different areas of interest. 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Unit title: †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ Date assessment details issued: †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. Date handed in: †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. Word Count: †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. STATEMENT OF AUTHENTICITY I confirm that this is myRead MoreNotes for Key Assignment Outline1908 Words   |  8 Pages * Business ethics and social responsibility The current state of the company should include: * Product mix * Current financial state * SWOT Analysis components All of which you have already talked about. Remember this is just an outline so you do not need to create a cohesive flowing story. This is designed to help you create the order under each section that you will talk about the issues. 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The Portrayal of Women in Art 1962-2002 Free Essays

We have, more or less, as an audience become used to the idealized depiction of women. Often, particularly in classical styles, they were portrayed as reclining nudes who were there for the viewer’s pleasure. With averted eyes, they touched themselves sensually, typically innocent and oblivious that there is someone painting her for all to see. We will write a custom essay sample on The Portrayal of Women in Art: 1962-2002 or any similar topic only for you Order Now When they weren’t sexual-fantasy fodder, they were servile and obedient–particularly in the 1940?s and 1950?s after the end of the strong women era of World War II. They wore their hair in perfect curls, with their perfect dresses and worked merrily away in their perfect kitchens. In Jack Levine’s Girl with Red Hair there is a shift away from the perfect, care-free woman that came before. Rather, nudity is embraced as an aspect of the woman’s power rather than the viewer’s object. The subject confronts the viewer with her gaze. This portrait is not a portrait of a naked girl, but rather, a girl who happens to be naked. There is no trace of sexiness or sensuality–we are drawn to her face so that we may attempt to discern what this girl is thinking. Though her breasts are there, they are poorly rendered compared to the depth of her face and do not trap the eye like the neatly depicted flesh of the reclining nudes. Hotline for Troubled Teens, 1970. Joe DeMers (1910-1984). Acrylic on board, 22 ? x 18 ? in. New Britain Museum of American Art, Gift of Walt Reed, 2000. 45. Through both this artistic empowerment of women and the then energized Feminist Movement, women became less objects for a viewer’s pleasure and instead independent characters. In Joe DeMers’ Hotline for Troubled Teens, the gender is nearly removed from the girl. She is seen wearing an over-shirt that hides her breasts and her other feminine features are minimized. The girl is entered into a narrative–no longer is there a displaced nude body just lying around. Instead, we are shown a girl in her not-so-ideal life. Her face is concerned and the telephone cord is wrapped about her shoulders and wrist. She appears to be entirely dismissive of her viewers–be they out on the street around her, or elsewhere. She is self-serving and concerned with only her present situation. The title even suggests that this girl is reaching out (at the time, even that would have been taboo) in order to help herself–a principle that began to empower women during the Feminist Movement. Laneisha II, 1996. Dawoud Bey (b. 1953). Polacolor ER prints, 90 x 45 3/4 in. New Britain Museum of American Art, Members Purchase Fund, 2000. 34. This is one of my favorite pieces of the collection for many reasons. Predominantly, the depiction of women has centered around the â€Å"ideal woman†Ã¢â‚¬â€œwhich, if you haven’t picked up a magazine lately, is typically white, attractive, young, thin and perky. The woman here, however, is the antithesis. Though she is attractive, she does not have the â€Å"elegant† features that a painter might have looked for in the first half of the century. She is fragmented into six pieces and while they mostly match up–in that there are no huge gaps of information–there is a significant deformation of her figure. Her face is extra wide and left arm seems oddly long. A clear difference between the perfectly kept and rendered women of the past, this modern woman allows her flaws and her discord to be reflected in between each frame. She is a woman, not an object to behold. Untitled, 2000. Cindy Sherman (b. 1954). Color photograph, edition 1/6, 32 1/2 x 22 in. Members Purchase Fund, 2000. 88. I particularly enjoy this piece for several reasons: like the piece above, she is not typically â€Å"beautiful†Ã¢â‚¬â€œparticularly for the era in which it was taken. Rather, her appearance is outdated–thick, dark eyebrows, slicked back hair and that awful blue blouse she is wearing. Instead of dismissing the woman as ugly, we are able to see past her physicality. She bears a face that almost says â€Å"Yeah, so what? ’ to her audience. She isn’t hip, nor is she young and beautiful (as dictated by the standards of society) any more. There is a bluntness to this photograph that disempowers the sitter; it almost seems as if she’s the one judging and not vice-versa. Beauty I, 2002. Mark Catalina (b. 1965). Acrylic on canvas, 72 x 72 in. New Britain Museum of American Art, Gift of the Artist, 2003. 01 Lastly, this piece seems to me to be the most poignant out of the bunch. We are not privy to the â€Å"real† image, but only its negative. In form, we might recognize the person as a female. They have breasts, long flowing hair, jewelry†¦ some of the key indicators of what we may associate with being a woman. However, with the inverted colors, we are shown someone with manly features and thus, the lines of gender are blurred. Clearly, the makeup the subject is wearing is exaggerated–dark lips and cat-like eyeshadow–and further masks the individual’s gender. This piece is so inexorably tied to the way in which sex and gender are separated and defined. In this, the artist is redefining the appearance of women, in that women may not even be â€Å"feminine† at all. This piece broaches the subject of femininity and womanhood in an entirely new way, and is entirely appropriate in the evolving context of women in art. What do you think about the portrayal of women in art? How has it changed in the last 500 years? 50 years? 5 years? How can women gain power through representation in art? How does this compare to men in art? How to cite The Portrayal of Women in Art: 1962-2002, Papers

Richard daley Essay Example For Students

Richard daley Essay Richard Joseph Daley, the grandson of Irish immigrants, was born in the Bridgeport area of Chicago on May 15, 1902. He was graduated from De La Salle Institute in 1918 and worked in the stockyards for several years before studying law. While studying, he worked as a clerk in the Cook County Controllers office. In 1936 Daley married Eleanor Guilfoyle, and the couple had three daughters and four sons. One son, Richard M. Daley, served in the Illinois Senate and as Cook County states attorney before being elected mayor of Chicago in 1989. Daley held several elected posts before becoming mayor. He was state representative from 1936 to 1938, state senator from 1939 to 1946, county deputy controller from 1946 to 1949, and county clerk from 1950 to 1955. He also served as state revenue director, an appointed position, under Governor Adlai Stevenson. In these positions, Daley gained a keen understanding of government and a mastery of budgets and revenue sources. Cook County Democratic party chairman Richard J. Daley, 53, wins the Chicago mayoralty race and begins a 21-year career as mayor of the second largest U.S. city. Daley, the archetypal city boss, served as mayor from 1955 to 1976. He was one of the last big city bosses. As a Democrat, Daley wielded a great deal of power in this largely Democratic city. He headed a powerful political machine that effectively dominated much of Chicago. He governed by the spoils system, and he delivered many local votes for Democratic presidential candidates. His support was often sought by state and national leaders. Daley gained national notoriety in 1968 when Chicago police brutally subdued demonstrators at the Democratic National Convention. Daley was an important figure in the national Democratic Party. As the mayor of Chicago until his death in 1976 and as chairman of Chicagos Cook County Democratic Central Committee from 1953 to 1976, Richard Joseph Daley was one of the most powerful politicians in the United States. He easi ly won reelection to office in five successive campaigns from 1959 to 1975, and during his mayoralty Chicago was the scene of an unprecedented building boom, improvement in city services, and urban renewal programs. Daley ran Chicago when federal government was pouring billions into highways, public transit, housing for poor. He used it to advantage, mounting massive urban renewal and transportation projects. Neighborhoods resisted, but Daley prevailed. He was a builder, developing OHare Airport, public housing projects, University of Illinois campus and McCormick Place. A machine politician in the old tradition, Daley will use patronage to control the Illinois state vote and obtain tax breaks and zoning-law favors for real estate interests and others that support him. Although Daley remained popular and influential during his several terms, his administration was marred by a number of political scandals, by civil-rights disturbances, and by a riot at the 1968 Democratic convention. Daley was among John F. Kennedys key supporters in the 1960 presidential election, providing him with the delegates who helped him win a first-ballot nomination and a massive Chicago vote that delivered Illinois for Kennedy in his narrow victory over Richard M. Nixon. Daley hosted the 1968 Democratic National Convention at President Lyndon B. Johnsons request. Daleys national reputation was seriously tarnished as the result of violence between anti-Vietnam War demonstrators and Chicago police. Ironically, Daley had been a private critic of the Victnam War and had urged Johnson to withdraw U.S. forces. In 1972, Daley was dealt another blow when the Democratic National Convention refused to seat his Illinois delegation because of noncompliance with new selection rules. In 1976, Jimmy Carter said that Daleys endorsement clinched his first-ballot nomination for the presidency, but Daley failed to deliver Illinois for Carter in the election. Controlling 30,000 patronage jobs and savvy w ard organization, he delivered elections for himself and Democratic allies. Blacks were a major component of the Daley coalition, providing him with his winning margin in his two closest mayoral elections. But his relationship with them deteriorated in the turbulent hours after Dr. Martin Luther Kings assassination when Daley issued a shoot-to-kill order in the wake of riots and looting on the citys West Side. He later resented the challenge to his authority as party chairman by black Democratic politicians. Race riots erupt at Baltimore, Boston, Detroit, Kansas City, Newark, Washington, D.C., and scores of other cities including Chicago following the King assassination. In 1968 protesters staged a demonstration against the Vietnam War in Chicago during the Democratic presidential convention. Daley ordered aggressive police action to quash the protest. Chicagos Mayor Daley gives police shoot to kill orders to put down the rioting, 46 deaths result across the country, 55,000 federal troops and National Guardsmen are called out, 21,270 arrests made. The ensuing violence by police led to several days of rioting. Even The Boss, Mayor Richard J. Daley, wasnt exempt from the FBIs suspicion of being a communist sympathizer, a tool of the mob or an accommodator to civil rights leaders. Under a federal Freedom of Information Act request, the Chicago Tribune obtained 300 pages of Daleys file compiled by J. Edgar Hoovers FBI. The reports span Daleys career from state senator in the 1940s until his death in 1976, the newspaper said in Sundays editions. The file on Daley, Chicagos mayor from 1955 through 1976, contains a wealth of innuendoes and guilt by association. None apparently rose beyond the level of gossip. It was typical of Hoover to try to just gather any information he could about powerful politicians as a way of just making sure he maintained his own seat of power, said Ron Kessler, author of The FBI: Inside the Worlds Most Powerful Law Enforcement Agency. It w as really sort of a secret police that Hoover operated. The file notes an association between Daley and possible communist elements as an Illinois state senator. It cites an invitation Daley received to speak at an American Youth for Democracy gathering in January 1944 in Chicago. The invitation, which Daley declined, was issued at the instigation of Robert Travis, referred to in the file as a reported communist. When Daley first ran for mayor, the Communist Party of Illinois issued instructions to members that Daley must be elected for the Party to retain its strength in labor. The file also alleges organized crime figures found Daley sympathetic to them, at least before he became mayor. Later, mobsters like Sam Giancana complained about Daleys weakening of the ward boss system, which the mob relied on for political favors. Informants told the FBI of Daleys efforts to reach out to black civil rights leaders, including Matin Luther King Jr. In the riotous aftermath of Kings assassin ation, the FBI reported extensively about Daleys shoot to kill order aimed at arsonists, a stand the FBI praised. For twenty-one years, Daley presided over city government and the Democratic organization in his dual role as mayor and party chairman. He cultivated alliances with organized labor and industry that contributed to Chicagos renaissance at a time when other northern industrial cities were declining. He helped build the worlds largest airport and tallest office building, a lakefront convention center, a governmental complex that would later bear his name, a Chicago campus for the state university, expressways, and mass transit lines. He is known by many as the best mayor Chicago may ever have. A series of court rulings against political patronage diminished Daleys clout in his final term, and his political organization declined further in the decade after his death. Chicagos Mayor Richard Daley dies at age 84 after more than two decades of dominating Illinois politics. He d ied in Chicago of a heart attack on Dec. 20, 1976. .u45e1d8eebf398d0f76858f9a120c8da7 , .u45e1d8eebf398d0f76858f9a120c8da7 .postImageUrl , .u45e1d8eebf398d0f76858f9a120c8da7 .centered-text-area { min-height: 80px; position: relative; } .u45e1d8eebf398d0f76858f9a120c8da7 , .u45e1d8eebf398d0f76858f9a120c8da7:hover , .u45e1d8eebf398d0f76858f9a120c8da7:visited , .u45e1d8eebf398d0f76858f9a120c8da7:active { border:0!important; } .u45e1d8eebf398d0f76858f9a120c8da7 .clearfix:after { content: ""; display: table; clear: both; } .u45e1d8eebf398d0f76858f9a120c8da7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u45e1d8eebf398d0f76858f9a120c8da7:active , .u45e1d8eebf398d0f76858f9a120c8da7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u45e1d8eebf398d0f76858f9a120c8da7 .centered-text-area { width: 100%; position: relative ; } .u45e1d8eebf398d0f76858f9a120c8da7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u45e1d8eebf398d0f76858f9a120c8da7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u45e1d8eebf398d0f76858f9a120c8da7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u45e1d8eebf398d0f76858f9a120c8da7:hover .ctaButton { background-color: #34495E!important; } .u45e1d8eebf398d0f76858f9a120c8da7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u45e1d8eebf398d0f76858f9a120c8da7 .u45e1d8eebf398d0f76858f9a120c8da7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u45e1d8eebf398d0f76858f9a120c8da7:after { content: ""; display: block; clear: both; } READ: Civil Disobedience Essay Summary this paper is not my own work, it is research for the paper that i am writing on daley.